Showing posts with label RAINBOW. Show all posts
Showing posts with label RAINBOW. Show all posts

Wednesday, 23 January 2013

Top 5 Original Japanese K-Pop Songs

This ranking is based purely on my own opinion, so, please respect that
 
This is my current K-Pop love of the moment (Rainbow's JaeKyung).
But, I couldn't find a gif of her derping. Her hair tho
 
And, here it is, another ranking! Don't worry, I've started writing a rant, too. And I plan to start reviewing dramas eventually, too.
That title on its own probably doesn't make sense so I'll elaborate. Of course, many Korean artists debut in Japan with Japanese language remakes of pre-existing songs. However, there comes a point where the artist has to release a brand-new, all-original track for the Japanese audiences. I'll be counting down my personal favourites. Oh, and you should probably consider this as a kind of Part Two of this.

5. Rainbow - Gonna Gonna GO! / Shoujo Jidai - MR. TAXI

 

Yes, that's right, it's a draw! My rankings so far make it look like SNSD are one of my favourite K-Pop groups but they aren't. Don't get me wrong, I like them, and they're miles better than, say, T-ara or something. Thing is, some SNSD songs tick all my little personal boxes while others...well, they don't hit a single chord with me. And that's just how it is. However, MR. TAXI is one song that I loved from the moment I heard it. It sounded really cool and the Japanese was a ridiculous improvement on whatever it was that was supposed to be happening in their previous Japanese release, Gee. It was a pleasant surprise. I never go in expecting to be wowed by this lot, so, when they do come out with a song I love, I end up more impressed that I probably would have been otherwise. Half of SNSD's songs bore me, while the other half excite me...well, not quite but when I like them, I really do like them. 
Rainbow, however, are my favourite K-Pop girlgroup. Gonna Gonna GO! is extremely K-Poppy in terms of style but it's really catchy, too. Also, these girls have had excellent Japanese since their Japanese debut, which is more than I can say for some Korean groups who try their luck overseas. Their Japanese language skills do not disappoint in this track, either. The production of this song is extremely slick and, though it may not be Rainbow's best song nor the most original thing ever, there's some definite appeal in this song. Though, technically, it borders on the generic, this song has a certain charm to it which definitely draws the listener in. Also, this song has a cool rap thrown in there, as always, which just adds to it.
 
4. ROMEO (Park Jung Min) - Give Me Your Heart
 

This song didn't chart particularly well, only reaching the #26 spot in the chart and that was probably due to an immense lack of promotion on this single's part. I actually adore this single and that's why it made it onto this list. I think, had it been given the promotion it deserved, this single would have done a lot better. In terms of style, this song is very is very similar to Jung Min's first proper solo release, independent from SS501, 'Not Alone'. I absolutely adore the style in that song, so, when I heard this track, I was ecstatic. Give Me Your Heart is a very cool and dramatic song, with a really catchy melody. I love the violins in the backtrack, too. As a Japanese release, this is also a really strong track. Jung Min's Japanese sounds seamless and natural, his accent and pronunciation are really good. Obviously, he still sounds Korean, but less obviously than quite a lot of other Korean artists singing in Japanese. Jung Min always did have the best Japanese in SS501, proved not only by his singing but also his success in the language games of their Japan-based TV show, and his Japanese has only improved since the last time he released anything in Japan. I really do think he needs more promotion, he's a really good singer, his Japanese is great, I feel his musical style would appeal to a Japanese audience (somehow) and, really, look at him, he's a human bishi! He's a Horse Prince, but, still, Horse Princes can be bloody pretty, apparently. I know looks don't count for all, but, when promoting him to another market than his home market, looks always help.
 

3. 2NE1 - SCREAM

 

This single only hit #7 on the Oricon charts so, in terms of doing well in Japan, it's not the best but it's still good. However, this is one of my very favourite 2NE1 songs so on the list it goes! Dara's Japanese isn't the strongest which lets the track down just a little but it doesn't have any real bearing on the quality of the rest of the song. This song is really cool and powerful, with impressive vocals. Cool is the only word to describe this song, really. CL and Minzy are particularly mind-blowing, actually, in both their rap and vocal parts. But, honestly, CL has so much style and power that it's unbelievable. As painfully naff and cheesy as it may sound, she's not known as 'The Baddest Female' for nothing, of that I have no doubts.

2. BIGBANG - Gara Gara GO!
 


The kings of K-Pop, BIGBANG, moved onto original tracks as early as their second single, chancing it against Tegomass (and, clearly, not succeeding...I don't even know what they got). This is one of my favourite BIGBANG tracks and my second favourite of their Japanese A-Sides (can't argue with BEAUTIFUL HANGOVER, really, that shit's far too good). I know there's a Korean version of this song, too, but I'm pretty bloody sure it came after and, as such, is a remake of the Japanese song and not the other way around. This is a really catchy, fast-paced song - it's fun and, somehow, it's really quite Summery. I feel that this song was also one of the first in a K-Pop trend that spread like wildfire, in terms of song style and even music video visuals. With plenty of English chants and even some more simple Japanese, this song's easy to sing along to, granted you miss out the fast parts. Unless you do those know those bits, obviously (I do, I have to say). It's just...yeah, fun.
It's very upbeat yet cool at the same time. Like, really cool. Especially those rap parts. And the 'T.O.P' part. That can't be argued with. That shit is too good. So, yeah, there seem to be no specific reasons...I just love this song.
 
1. Kim Hyun Joong - HEAT


I already did a review of this song as part of this review but that was referring more to what I liked about the song than why I thought it was a good choice for the first non-remake song HyunJoong released in Japan. Proof that it deserves the #1 spot lies solely in the fact that this single sold well enough to stick Yamashita Tomohisa, one of Japan's ultimate pop aces since he was around sixteen years old, with the first (and only) Oricon #2 in his recording career, which started when he was about nineteen. He's twenty-eight this April. You also have to keep in mind that it's an extremely rare feat for a K-Pop artist to top the charts with their second Japanese release. So, there, we have the proof, but, what contributed to this? There are various factors that may have led to this success. First-off, HyunJoong is a huge star all over Asia, so, it would only make sense for him to hit Japan hard. He had already gained fans in Japan through his time as a member of SS501, a group who made their Japanese debut ahead of the current Halyuu boom in the Japanese music scene, and his roles in the dramas, Boys Over Flowers and Playful Kiss. Japan experienced a K-Drama boom a before K-Pop really hit it big there, and, furthermore, both of these dramas are remakes of popular manga, the first having had a hugely successful Japanese drama adaption and the second being somewhat of a classic. Both of these manga also have anime and T-Drama adaptions, too. And, really, Boys Over Flowers and Hana Yori Dango are among the most successful dramas ever in their respective countries of origing, so, it's not surprising that HyunJoong's role as the lovable Aspie, JiHoo (formerly known as Rui) drew him in some fans. Furthermore, the song was created by Japanese music legends, B'z. They're a truly powerful duo in the Japanese music scene so, really, having a song created by that pair puts HyunJoong at quite an advantage. I mean, aside from being HUGE in themselves, one half of B'z is responsible for the composition for the best selling debut single in Oricon chart history, the long-awaited first single of KAT-TUN, selling over 750 thousand copies in its first week. Actually, this song is more Japanese-sounding than it is Korean, and considerably so, too. This probably helped it sell so well. As much attention as certain Korean artists are getting in Japan right now, Japanese-style songs will always have more appeal, seeing as Japanese-style music been gradually tailored to...well, appeal to the Japanese public. Besides, with some groups coming out with the same generic style of song all the time, maybe this is a nice change, I don't know. I'm not Japanese, I'm just speculating.
 
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So, yeah, there you have it, my personal ranking of K-Pop artists first original Japanese tracks. Though, technically, some of these may not be the best or the most interesting or even the most successful (though, #1 is certainly one of the more successful ones), but, y'know what, I really like them and think they deserve their spots.


Monday, 26 November 2012

Top 5 Korean → Japanese K-Pop Tracks

All opinions are my own, of course~ If you don't agree, then, well, meh, your problem. Don't make it mine ;D
 
And, here we have a lovely GIF of HyunJoong being a dork. Why? Because he's my favourite K-Pop artist ever yet he is in no way relevant to this article. He. Needs. To. Be. There.
 
 
So, any fan of K-Pop knows that it's customary for a Korean artist to test the Japanese waters by releasing a carbon-copy of one of their older songs, normally one of the more popular ones, only with, more often than not, shoddy Japanese. Some even go on to release more past their debut single, releasing about 3 or 4 carbon copy tracks before actually bringing out anything new and interesting. This process is the bane of many a K-Pop fan's life, too. However, from time to time, they come out with a remake that is actually listenable and, even more rarely, comes out better than the original! My god!
 
Okay, hugely sarcastic and critical tone aside, this post is dedicated to highlighting what I think is the very best of K-Pop's 'Japanese versions', basing it on pronunciation, how well the lyrics flow and how right it sounds.
Also, for simplicity's sake, I will be focussing only on A-Side tracks. And, also, only songs that were released separately from their Korean counterparts. Some are released together (all of BIGBANG's ALIVE songs, DBSK's Why? Keep Your Head Down and SHINee's Sherlock, for example).
So, let's get started~!

5. Shoujo Jidai - Genie

And Kanyon named this lot as S/mileage's leg rivals. Fat chance, Kanyon, their legs are in a different league.
Also, SooYoung is gorgeous. No arguments allowed.
Shoujo Jidai, Girls' Generation, SNSD, call them what you will, but I will be referring to them from her on out as SNSD (even though, in person, I normally call them Girls' Generation), for simplicity's sake. I'm too lazy for all those...ugh...words...
Anyway, I have to give kudos to the girls for finding their way into my heart with a remake of what is one of their biggest Korean tracks. Seriously, Tell Me Your Wish, more commonly known as 'Genie', was a huge hit back in Korean and became one of SNSD's most famous tracks, with a ton of dance moves that will go on in K-Pop dance history for evermore. Normally, when a group tries to tackle something like that, and for their debut Japanese single no less, it goes wrong. Terribly wrong. Okay, over-exaggeration there but it's difficult to make such an iconic song work when you completely change the worlds. To be honest, though, I always thought that, granted it was done right, Genie had the potential to work really well in Japanese. The lyrics flow perfectly and don't sound unnatural at all. It really does just sound like the original but in Japanese. Shame their second Japanese single didn't have the same success for me (Gee was a hot mess in Japanese, okay?)

4. KARA - Mister

Jumpin' jumpin' jumpin' now Jumpin' now - wait, wrong song.
Look at how cute Seungyeon is here, though!
Interestingly enough, Mister, despite not being a digital single or having a MV, was hugely popular in Korea, when it was performed alongside 'Wanna' as part of the promotions for the group's 2nd album, Revolution. The famed 'butt dance' played a pretty important role the track's popularity. Just over year later, the song was used as the girls' debut song in Japan with fantastic results. It seems the glorious 'butt dance' hit off with Japanese audiences just as well as it did on its home soil. The butt dance is loved by all, why deny it? And, honestly, this single landed, KARA have seen incredible success in Japan. Sure, they get #2 and #3s more often than they do #1s, but the #3 is still fanatastic. After all, MomoClo have yet to earn themselves a single #2 on the Oricon weekly, nevermind a #1 (and, seriously, based on sales numbers, MoMusu do better than MomoClo, generally), and there's absolutely no denying their popularity! As such, KARA's success cannot be ignored! Besides, not many Hallyu artists, aside from the obvious pair, BoA and Tohoshinki (or, DBSK, whatever works best for you), have managed to get #1s on the Oircon Weekly Chart.
Anyway, that aside, it's time to focus on the actual song. This version actually varies slightly from the Korean version in that the song's arrangement is slightly different and the verses are sung much higher - trying to pander to the Japanese audience, who are used to consuming singles by higher-pitched girlgroups, maybe? However, personally, I do prefer the Japanese version. It's cuter, I guess, and not just cause of the pitch. The lyrics are really cute and memorable, because of the simple syllables. The make-up of the Japanese language is nicely complimented by this song. Also, the fact they've included lyrics from the original version is really nice, too. The whole song's totally sweet but has a cool edge to it, as well. It's totally appealing. It's definitely one of the most memorable Korean → Japanese remakes, that's for sure.

3. BIGBANG - My Heaven

If you look carefully...you can see people in TOP's glasses. Specular Reflection has failed you, Tabi!
My Heaven is the Japanese remake of an older BIGBANG song, from their 3rd mini-album, Stand Up. This track was actually called 'Heaven'. BIGBANG are probably the only K-Pop group I can think of, aside from KARA, of course, that decided to go with an album track as their debut, which I think was quite interesting. It was a way of showing what the group were actually like, without spending time on a new song which may or may not flop, and appealing to those who were already fans without churning out some remake of that one song everyone knows. I'm actually quite impressed that they didn't go ahead and just shove a remake of Lies in everyone's faces.
Now, I prefer this version to the Korean version but that's also probably because I heard this version first, and, as always, I prefer Japanese, but, the thing is, it's not any better than the Korean version. That is to say, they're really both as good as each other. But, thing is, it's such a good remake that it still has to be in here.
Everything about this remake just works. The lyrics are fantastic and still retain that soft yet catchy feel of the original. I love it when a remake captures the same feel as the original completely (though, I like it even better when the remake enhances it~).
This song is also very important to the VIPs, form what I gather. In their lives, this tends to be the song that's sung at encores, or just at the end of the concert, or whatever. The fans are invited to sing along and the performance really emphasises the bond BIGBANG have with their VIPs, which, I must say, is a particularly strong one.

2. RAINBOW - Mach

Surefire way to appeal to the Japanese market - dress up like Sexy Power Rangers (or Super Sentai, I suppose)?
Also, am I just biased or does JaeKyung look best in that outfit? Or is red just a more flattering colour? Who knows?
Mach never started out as a heavily promoted track with an MV - it was a Digital Single in its own right and it did get a few live performances on Korean music show though. When I first heard the Korean version of this song,  I really loved it. It sounded really slick and cool, I was immediately drawn to it. However, it didn't become one of my favourite RAINBOW songs. Okay, no, it was up there, but not quite high enough to get all that much attention from me. That being said, when I heard that their 2nd Japanese single was going to be Mach, I was ecstatic. It made me remember how much I had loved the song the first time I heard it. And, then, the PV landed and everything was perfect. Yes. The PV concept was seriously cool and the girls looked stunning! especially JaeKyung
However, an amazing PV and concept being given to a previously MV-less song is not enough for a song to become my 2nd favourite Korean → Japanese remake song. The Japanese lyrics really work with this song, more than I feel they did with the Korean. Like, in the Korean version, it still sounded really cool and, of course, it was still a fantastic song but the Japanese version just had that little bit extra. Just a little more oomph.
Actually, this was a seriously close 2nd place. But, since I'm a bigger fan of SHINee, I had to let bias win over this time round. It was the only option I had, promise!
 
1. SHINee - JULIETTE

Actually, this CD cover would make a seriously awesome poster!
Quite honestly, I'd take this version over the original any day. I seriously the Japanese language version of this song to the Korean one. In Korean, it's a nice song and I like it enough but I was never properly taken by it. However, when I first heard the Japanese version,  I instantly fell in love. Something about the Japanese version sounds slicker and cooler and, though I haven't got a clue what that something is, it makes all difference to me. I think it's really just down to the lyrics - the sharper sound of Japanese really works with this song. Like, seriously. It brought the song up. The flow of the Japanese language is more fitted to this song than the flow of the Korean language. The Korean version sounded, somehow, a little cheesier than the Japanese vesion which, in turn, sounded more powerful. Now, I do prefer the Japanese language, but I would like to stress that there is no bias on my part here as I think the Japanese version of Lucifer failed to do the original any justice whatsoever and that the lyrics in the remake were a mess, in terms of composition and flow. Furthermore, this version of JULIETTE has a much better line distribution than its Korean-language counterpart. The song started off as what seemed to be somewhat of a Jonghyun-fest, while this version is a lot fairer. Of course, there's still a lot of Jonghyun, regarding solo parts, but, here, a number of his parts were given to Taemin who had barely any lines at all in the original. Improvements all round~!

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So, there ya have it. My Top 5 Korean → Japanese K-Pop Tracks. This was actually a pretty hard ranking to write up and, truthfully, the first 3 are all extremely close. Note that I didn't do it based on group-bias, though, since BIGBANG are actually my favourite group of the lot.
 
I'll just sum up what my Bottom 5 Korean → Japanese K-Pop Tracks would be, just because it's pretty easy to do so.
Secret's Madonna  and then all of T-ARA's Japanese singles thus far (i.e; excluding Sexy Love) -coughs-
 
Well, until next time~!